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Westside Trail Murals Project Celebrates 50 Local Artists in Largest Public Art Installation Yet
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Westside Trail Murals Project Celebrates 50 Local Artists in Largest Public Art Installation Yet

West End, Atlanta · Jan 16, 2026 · 11:17 AM

Photo by Juan Pablo on Unsplash

A story about Atlanta BeltLine Partnership

The Atlanta BeltLine's Westside Trail has unveiled its most ambitious public art installation to date: a continuous corridor of 50 murals stretching nearly two miles from the West End to Bankhead, painted entirely by Atlanta-based artists over the past six months.

The project, called "Fifty Voices," was curated by the Atlanta BeltLine Partnership in collaboration with the Hammonds House Museum and MOCA GA. Each artist was given a 12-by-16-foot panel and asked to respond to a single prompt: "What does home mean to you?"

The results are stunning in their range. Shanequa Gay's contribution features luminous portraits of West End elders surrounded by magnolia blossoms, while Fahamu Pecou's panel blends Yoruba iconography with imagery of Atlanta's hip-hop pioneers. Emerging artist Deja Shelton, just 22, painted a hyperrealistic scene of children playing in Mozley Park that has already become one of the trail's most photographed spots.

"Public art shouldn't just decorate a space — it should make you stop, feel something, and maybe start a conversation with a stranger," said Randall Roark, the BeltLine's director of art and culture. "These fifty voices do exactly that."

The project was funded through a combination of city arts grants, corporate sponsorships from Delta Air Lines and Mailchimp, and a dedicated fund from the Arthur M. Blank Family Foundation. Each participating artist received a $5,000 stipend plus materials.

Free guided walking tours of the murals launch this month, led by art history students from Spelman College and the Atlanta College of Art. An augmented reality app lets visitors scan each mural to hear the artist discuss their work in their own words.

"I've walked this trail a thousand times," said longtime West End resident Patricia Odom. "Now every visit feels like going to a museum — except it's free, it's outside, and it belongs to all of us."

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